Vicente Gracia is a jeweller with a story to tell. “We have the great fortune in Spain to have preserved both our Christian and Islamic inheritance," he points out, and it is this rich cultural heritage that feeds his fantastical universe. Born to a family of jewellers in Valencia, a fertile crossroads where minarets and Gothic churches stand side by side, the sunny city that smells of orange blossom and is cooled by Mediterranean breezes has cast a spell on his work.
Birds, flowers, fish, plants and floral motifs populate Gracia's oriental-inspired jewellery, evoking the paradisiacal world and gardens of La Alhambra. 'The Rubáiyát of Omar Khayyam', also known as the 'poet of wine', is another source of inspiration. “I am not just a jeweller," he says. “I am a storyteller, and my jewels are inspired by stories and poetry. Jewels are not only luxury adornments, they are cultural messengers." Gracia also embraces Spain's medieval Christian traditions with a collection called Guardians of the Treasure, with wonderful heraldic beasts keeping an eye on the precious stones.
Growing up surrounded by gemstones and the tools of the family trade, Gracia learned the fundamentals of classical jewellery before letting his ripe imagination take over. “I started creating my own pieces during themovida madrileña (the fervid artistic and socio-cultural movement that followed the death of dictator Franco in 1975 and Spain's transition to democracy). I made earrings with spirals that would move in the wind. It was urban poetry to the hilt." In the mid 80s, Gracia was awarded Spain's National Design Prize and set up his own workshop in the historic centre of Valencia.
His craftsmanship, which is characterised by the fusion of different precious metals and the use of rare stones and bright enamels to capture the colours of the Mediterranean, has not, he believes, changed immensely since the Romans conquered Iberia. Fire opals, tourmalines, coral, quartz crystal and sapphires are some of the stones that animate his pieces – miniature sculptures that enchant with their organic forms and lavish ornamentation.
An abstract of an article by Rebecca Doulton at The Jewllery editor. Read more